The Resource The underground is massive : how electronic dance music conquered America, Michaelangelo Matos
The underground is massive : how electronic dance music conquered America, Michaelangelo Matos
Resource Information
The item The underground is massive : how electronic dance music conquered America, Michaelangelo Matos represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Randwick City Library.This item is available to borrow from 1 library branch. This resource has been enriched with EBSCO NoveList data.
Resource Information
The item The underground is massive : how electronic dance music conquered America, Michaelangelo Matos represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Randwick City Library.
This item is available to borrow from 1 library branch.
This resource has been enriched with EBSCO NoveList data.
- Summary
- Rooted in American techno/house and '90s rave culture, electronic dance music has evolved into the biggest moneymaker on the concert circuit. Music journalist Michaelangelo Matos has been covering this beat since its genesis, and in The Underground Is Massive, charts for the first time the birth and rise of this last great outlaw musical subculture. Drawing on a vast array of resources, including hundreds of interviews and a library of rare artifacts, from rave fanzines to online mailing-list archives, Matos reveals how EDM blossomed in tandem with the nascent Internet - message boards and chat lines connected partiers from town to town. In turn, these ravers, many early technology adopters, helped spearhead the information revolution. As tech was the tool, Ecstasy - (Molly, as it's know today) an empathic drug that heightens sensory pleasure - was the narcotic fueling this alternative movement. Full of unique insights, lively details, entertaining stories, dozens of photos, and unforgettable misfits and stars - from early break-in parties to Skrillex and Daft Punk - The Underground Is Massive captures this fascinating trend in American pop culture history, a grassroots movement that would help define the future of music and the modern tech world we live in
- Language
- eng
- Edition
- First edition.
- Extent
- xv, 425 pages, 16 unnumbered pages of plates
- Note
- Formerly CIP.
- Contents
-
- 1.The Power Plant (Chicago, Illinois)--Early 1983
- 2.The Music Institute (Detroit, Michigan)--November 24, 1989
- 3.Stranger than Fiction (Los Angeles, California)--September 7, 1990
- 4.The Finale of the Gathering + UFOs Are Real (San Francisco, California)--April 11, 1992
- 5.Grave (Milwaukee, Wisconsin)--October 28, 1992
- 6.Storm Rave (Staten Island, New York)--December 12, 1992
- 7.Rave America (Los Angeles, California)--December 31, 1992
- 8.See the Light Tour (Thirteen North American cities)--October-November 1993
- 9.Spastik (Detroit, Michigan)--August 8, 1994
- 10.Even Furthur '96 (Blue River, Wisconsin)--May 24-27, 1996
- 11.Organic '96 (San Bernardino, California)--June 22, 1996
- 12.Woodstock '99 (Rome, New York)--July 22-25, 1999
- 13.Detroit Electronic Music Festival (Detroit, Michigan)--May 26-29, 2000
- 14.Phuture Phat Hong Kong Phooey (New Orleans, Louisiana)--August 26, 2000
- 15.Electroclash Festival 2001 (New York City)--October 10, 2001
- 16.Coachella (Indio, California)--April 29-30, 2006
- 17.Electric Daisy Carnival (Las Vegas, Nevada)--June 24-26, 2011
- 18.Random Access Memories (Los Angeles, California)--January 26, 2014
- Isbn
- 9780062271785
- Label
- The underground is massive : how electronic dance music conquered America
- Title
- The underground is massive
- Title remainder
- how electronic dance music conquered America
- Statement of responsibility
- Michaelangelo Matos
- Subject
-
- trueEcstasy (Drug)
- Electronic dance music -- United States -- History and criticism
- trueElectronic music
- Electronic music -- United States
- Electronica (Music) -- United States -- History
- Electronica (Music) -- United States -- History and criticism
- trueMusic and society
- trueRave culture
- trueRaves
- Techno music -- United States -- History
- Techno music -- United States -- History and criticism
- trueTechnopop music
- Underground dance music -- United States
- Underground dance music -- United States -- History
- trueDance music
- Language
- eng
- Summary
- Rooted in American techno/house and '90s rave culture, electronic dance music has evolved into the biggest moneymaker on the concert circuit. Music journalist Michaelangelo Matos has been covering this beat since its genesis, and in The Underground Is Massive, charts for the first time the birth and rise of this last great outlaw musical subculture. Drawing on a vast array of resources, including hundreds of interviews and a library of rare artifacts, from rave fanzines to online mailing-list archives, Matos reveals how EDM blossomed in tandem with the nascent Internet - message boards and chat lines connected partiers from town to town. In turn, these ravers, many early technology adopters, helped spearhead the information revolution. As tech was the tool, Ecstasy - (Molly, as it's know today) an empathic drug that heightens sensory pleasure - was the narcotic fueling this alternative movement. Full of unique insights, lively details, entertaining stories, dozens of photos, and unforgettable misfits and stars - from early break-in parties to Skrillex and Daft Punk - The Underground Is Massive captures this fascinating trend in American pop culture history, a grassroots movement that would help define the future of music and the modern tech world we live in
- http://library.link/vocab/ext/novelist/bookUI
- 10403819
- Cataloging source
- SALS
- http://library.link/vocab/creatorName
- Matos, Michaelangelo
- Dewey number
- 781.648
- Illustrations
-
- illustrations
- plates
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/resourcePreferred
- True
- http://library.link/vocab/subjectName
-
- Underground dance music
- Electronic music
- Electronic dance music
- Electronica (Music)
- Techno music
- Underground dance music
- Electronica (Music)
- Techno music
- Target audience
- adult
- http://bibfra.me/vocab/lite/titleRemainder
- how electronic dance music conquered America
- Label
- The underground is massive : how electronic dance music conquered America, Michaelangelo Matos
- Note
- Formerly CIP.
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
-
- still image
- text
- Content type code
-
- sti
- txt
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
- 1.The Power Plant (Chicago, Illinois)--Early 1983 -- 2.The Music Institute (Detroit, Michigan)--November 24, 1989 -- 3.Stranger than Fiction (Los Angeles, California)--September 7, 1990 -- 4.The Finale of the Gathering + UFOs Are Real (San Francisco, California)--April 11, 1992 -- 5.Grave (Milwaukee, Wisconsin)--October 28, 1992 -- 6.Storm Rave (Staten Island, New York)--December 12, 1992 -- 7.Rave America (Los Angeles, California)--December 31, 1992 -- 8.See the Light Tour (Thirteen North American cities)--October-November 1993 -- 9.Spastik (Detroit, Michigan)--August 8, 1994 -- 10.Even Furthur '96 (Blue River, Wisconsin)--May 24-27, 1996 -- 11.Organic '96 (San Bernardino, California)--June 22, 1996 -- 12.Woodstock '99 (Rome, New York)--July 22-25, 1999 -- 13.Detroit Electronic Music Festival (Detroit, Michigan)--May 26-29, 2000 -- 14.Phuture Phat Hong Kong Phooey (New Orleans, Louisiana)--August 26, 2000 -- 15.Electroclash Festival 2001 (New York City)--October 10, 2001 -- 16.Coachella (Indio, California)--April 29-30, 2006 -- 17.Electric Daisy Carnival (Las Vegas, Nevada)--June 24-26, 2011 -- 18.Random Access Memories (Los Angeles, California)--January 26, 2014
- Control code
- 000054719193
- Dimensions
- 24 cm.
- Edition
- First edition.
- Extent
- xv, 425 pages, 16 unnumbered pages of plates
- Isbn
- 9780062271785
- Lccn
- 2015563599
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)881655768
- Label
- The underground is massive : how electronic dance music conquered America, Michaelangelo Matos
- Note
- Formerly CIP.
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
-
- still image
- text
- Content type code
-
- sti
- txt
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
- 1.The Power Plant (Chicago, Illinois)--Early 1983 -- 2.The Music Institute (Detroit, Michigan)--November 24, 1989 -- 3.Stranger than Fiction (Los Angeles, California)--September 7, 1990 -- 4.The Finale of the Gathering + UFOs Are Real (San Francisco, California)--April 11, 1992 -- 5.Grave (Milwaukee, Wisconsin)--October 28, 1992 -- 6.Storm Rave (Staten Island, New York)--December 12, 1992 -- 7.Rave America (Los Angeles, California)--December 31, 1992 -- 8.See the Light Tour (Thirteen North American cities)--October-November 1993 -- 9.Spastik (Detroit, Michigan)--August 8, 1994 -- 10.Even Furthur '96 (Blue River, Wisconsin)--May 24-27, 1996 -- 11.Organic '96 (San Bernardino, California)--June 22, 1996 -- 12.Woodstock '99 (Rome, New York)--July 22-25, 1999 -- 13.Detroit Electronic Music Festival (Detroit, Michigan)--May 26-29, 2000 -- 14.Phuture Phat Hong Kong Phooey (New Orleans, Louisiana)--August 26, 2000 -- 15.Electroclash Festival 2001 (New York City)--October 10, 2001 -- 16.Coachella (Indio, California)--April 29-30, 2006 -- 17.Electric Daisy Carnival (Las Vegas, Nevada)--June 24-26, 2011 -- 18.Random Access Memories (Los Angeles, California)--January 26, 2014
- Control code
- 000054719193
- Dimensions
- 24 cm.
- Edition
- First edition.
- Extent
- xv, 425 pages, 16 unnumbered pages of plates
- Isbn
- 9780062271785
- Lccn
- 2015563599
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
- (OCoLC)881655768
Subject
- trueEcstasy (Drug)
- Electronic dance music -- United States -- History and criticism
- trueElectronic music
- Electronic music -- United States
- Electronica (Music) -- United States -- History
- Electronica (Music) -- United States -- History and criticism
- trueMusic and society
- trueRave culture
- trueRaves
- Techno music -- United States -- History
- Techno music -- United States -- History and criticism
- trueTechnopop music
- Underground dance music -- United States
- Underground dance music -- United States -- History
- trueDance music
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.randwick.nsw.gov.au/portal/The-underground-is-massive--how-electronic-dance/ZPyj2fwquNs/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.randwick.nsw.gov.au/portal/The-underground-is-massive--how-electronic-dance/ZPyj2fwquNs/">The underground is massive : how electronic dance music conquered America, Michaelangelo Matos</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.randwick.nsw.gov.au/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.randwick.nsw.gov.au/">Randwick City Library</a></span></span></span></span></div>
