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The Resource The film handbook, Mark de Valk with Sarah Arnold

The film handbook, Mark de Valk with Sarah Arnold

Label
The film handbook
Title
The film handbook
Statement of responsibility
Mark de Valk with Sarah Arnold
Creator
Contributor
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
De Valk, Mark
Dewey number
791.43
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1980-
http://library.link/vocab/relatedWorkOrContributorName
Arnold, Sarah
Series statement
Media practice
http://library.link/vocab/subjectName
Motion pictures
Label
The film handbook, Mark de Valk with Sarah Arnold
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Content category
text
Contents
Introduction -- Film language and aestetics. Renaissance of (digital) film -- Developing mise-en-scene -- Directing the actor -- Cinematography: painting with motion -- Sound underpinning image -- Editing: temporality & structure -- Film theory in practice. Reading the screen -- Spectatorship and audience -- Contemporary cinema -- Eisenstein and Bazin: formalism & realism, two modes of practice -- Genre -- Guerrilla filmmaking: practice as subversion. Experimentation and the short film format -- Working with non-professional actors -- The avant-garde, subtext, & symbolism -- Documentary as resistance -- Persistence of vision. screenwriting: from script to screen / John Brice -- Soundtracks: using music in film / Paul Rutter -- Post film: technology and the digital film -- Merging And Immerging Media: Developing a professional specialism. Post-film: production, distribution and consumption in the digital age -- Mapping a career path
Control code
000050084210
Extent
323 pages 25 cm.
Isbn
9780415557610
Isbn Type
(pbk.)
Lccn
2012035856
System control number
(OCoLC)812017926
Label
The film handbook, Mark de Valk with Sarah Arnold
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Content category
text
Contents
Introduction -- Film language and aestetics. Renaissance of (digital) film -- Developing mise-en-scene -- Directing the actor -- Cinematography: painting with motion -- Sound underpinning image -- Editing: temporality & structure -- Film theory in practice. Reading the screen -- Spectatorship and audience -- Contemporary cinema -- Eisenstein and Bazin: formalism & realism, two modes of practice -- Genre -- Guerrilla filmmaking: practice as subversion. Experimentation and the short film format -- Working with non-professional actors -- The avant-garde, subtext, & symbolism -- Documentary as resistance -- Persistence of vision. screenwriting: from script to screen / John Brice -- Soundtracks: using music in film / Paul Rutter -- Post film: technology and the digital film -- Merging And Immerging Media: Developing a professional specialism. Post-film: production, distribution and consumption in the digital age -- Mapping a career path
Control code
000050084210
Extent
323 pages 25 cm.
Isbn
9780415557610
Isbn Type
(pbk.)
Lccn
2012035856
System control number
(OCoLC)812017926

Library Locations

    • Lionel Bowen Library and Community CentreBorrow it
      669-673 Anzac Parade, Marouba, NSW, 2035, AU
      -33.938111 151.237977
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