The Resource Permanent revolution : Mike Brown and the Australian avant-garde 1953-1997, Richard Haese
Permanent revolution : Mike Brown and the Australian avant-garde 1953-1997, Richard Haese
Resource Information
The item Permanent revolution : Mike Brown and the Australian avant-garde 1953-1997, Richard Haese represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Randwick City Library.This item is available to borrow from 1 library branch. This resource has been enriched with EBSCO NoveList data.
Resource Information
The item Permanent revolution : Mike Brown and the Australian avant-garde 1953-1997, Richard Haese represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Randwick City Library.
This item is available to borrow from 1 library branch.
This resource has been enriched with EBSCO NoveList data.
- Summary
- In 1960 the 22-year-old Mike Brown joined the New Zealand artist, Ross Crothall, in an old terrace house in inner Sydney's Annandale. Over the following two years the artists filled the house with a remarkable body of work. Launched with an equally extraordinary exhibition, the movement they called Imitation Realism introduced collage, assemblage and installation to Australian art for the first time. Laying the groundwork for a distinctive Australian postmodernism, Imitation Realism was also the first Australian art movement to respond in a profound way to Aboriginal art, and to the tribal art of New Guinea and the Pacific region.By the mid-1960s Brown was already the most controversial figure in Australian art. In 1963 a key work was thrown out of a major travelling exhibition for being overtly sexual. Finally, in 1966-67, Brown became the only Australian artist to have been successfully prosecuted for obscenity. Brown spent the last 28 years of his life in Melbourne, where his reputation for radicalism and nonconformity was cemented with his multiplicity of styles, exploration of themes of sexuality, and transgressive commitment to the ideal of street art and graffiti. Against a background of the counter-culture and the social and political upheavals of the 1960s and 1970s, Brown's art and remarkable life of personal and creative struggle is without parallel in Australian art. Permanent Revolution is the first full-scale account of Mike Brown's life and work
- Language
- eng
- Label
- Permanent revolution : Mike Brown and the Australian avant-garde 1953-1997
- Title
- Permanent revolution
- Title remainder
- Mike Brown and the Australian avant-garde 1953-1997
- Statement of responsibility
- Richard Haese
- Title variation
- Mike Brown and the Australian avant-garde nineteen fifty-three to nineteen ninety-seven
- Subject
-
- trueArt movements
- trueArt, Aboriginal Australian
- trueArt, Australian
- trueArt, Australian -- 20th century
- trueArtists -- Australia
- trueArtists -- Australia -- Biography
- trueAustralia
- trueAvant-garde (Aesthetics) -- History -- 20th century
- Brown, Mike, (Michael Challis), 1938-1997
- trueCounterculture
- trueSocial change
- trueSydney, New South Wales
- Annandale Imitation Realists
- Language
- eng
- Summary
- In 1960 the 22-year-old Mike Brown joined the New Zealand artist, Ross Crothall, in an old terrace house in inner Sydney's Annandale. Over the following two years the artists filled the house with a remarkable body of work. Launched with an equally extraordinary exhibition, the movement they called Imitation Realism introduced collage, assemblage and installation to Australian art for the first time. Laying the groundwork for a distinctive Australian postmodernism, Imitation Realism was also the first Australian art movement to respond in a profound way to Aboriginal art, and to the tribal art of New Guinea and the Pacific region.By the mid-1960s Brown was already the most controversial figure in Australian art. In 1963 a key work was thrown out of a major travelling exhibition for being overtly sexual. Finally, in 1966-67, Brown became the only Australian artist to have been successfully prosecuted for obscenity. Brown spent the last 28 years of his life in Melbourne, where his reputation for radicalism and nonconformity was cemented with his multiplicity of styles, exploration of themes of sexuality, and transgressive commitment to the ideal of street art and graffiti. Against a background of the counter-culture and the social and political upheavals of the 1960s and 1970s, Brown's art and remarkable life of personal and creative struggle is without parallel in Australian art. Permanent Revolution is the first full-scale account of Mike Brown's life and work
- http://library.link/vocab/ext/novelist/bookUI
- 10150600
- http://library.link/vocab/creatorDate
- 1944-
- http://library.link/vocab/creatorName
- Haese, Richard
- Dewey number
- 709.94
- Illustrations
-
- illustrations
- portraits
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
- 1938-1997
- http://library.link/vocab/relatedWorkOrContributorName
- Brown, Mike
- http://library.link/vocab/resourcePreferred
- True
- Series statement
- Miegunyah Press series
- http://library.link/vocab/subjectName
-
- Brown, Mike
- Annandale Imitation Realists
- Artists
- Art, Australian
- http://bibfra.me/vocab/lite/titleRemainder
- Mike Brown and the Australian avant-garde 1953-1997
- Label
- Permanent revolution : Mike Brown and the Australian avant-garde 1953-1997, Richard Haese
- Bibliography note
- Includes bibliographical references (p. 286-291) and index
- Control code
- 000047948140
- Dimensions
- 27 cm.
- Extent
- 297 p.
- Isbn
- 9780522860801
- Isbn Type
- (hbk)
- Other physical details
- ill., ports.
- Label
- Permanent revolution : Mike Brown and the Australian avant-garde 1953-1997, Richard Haese
- Bibliography note
- Includes bibliographical references (p. 286-291) and index
- Control code
- 000047948140
- Dimensions
- 27 cm.
- Extent
- 297 p.
- Isbn
- 9780522860801
- Isbn Type
- (hbk)
- Other physical details
- ill., ports.
Subject
- trueArt movements
- trueArt, Aboriginal Australian
- trueArt, Australian
- trueArt, Australian -- 20th century
- trueArtists -- Australia
- trueArtists -- Australia -- Biography
- trueAustralia
- trueAvant-garde (Aesthetics) -- History -- 20th century
- Brown, Mike, (Michael Challis), 1938-1997
- trueCounterculture
- trueSocial change
- trueSydney, New South Wales
- Annandale Imitation Realists
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.randwick.nsw.gov.au/portal/Permanent-revolution--Mike-Brown-and-the/XMO9mlHeV3A/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.randwick.nsw.gov.au/portal/Permanent-revolution--Mike-Brown-and-the/XMO9mlHeV3A/">Permanent revolution : Mike Brown and the Australian avant-garde 1953-1997, Richard Haese</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.randwick.nsw.gov.au/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.randwick.nsw.gov.au/">Randwick City Library</a></span></span></span></span></div>